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	<title>Comments on: 13 Things I Learned at the Chris Botti Show</title>
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	<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show</link>
	<description>Makin&#039; It Happen - Livin&#039; the Dream - Payin&#039; the Bills</description>
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		<title>By: Chris Botti - TrumpetMaster</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-1077</link>
		<dc:creator>Chris Botti - TrumpetMaster</dc:creator>
		<pubDate>Sun, 30 May 2010 17:24:43 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-1077</guid>
		<description>[...] Chris Botti   I saw Botti earlier this year and wrote a blog post about the experience:  13 Things I Learned At The Chris Botti Show  __________________ Watch live video of The Jason Parker Quartet.  Trumpets: Selmer Paris Concept [...]</description>
		<content:encoded><![CDATA[<p>[...] Chris Botti   I saw Botti earlier this year and wrote a blog post about the experience:  13 Things I Learned At The Chris Botti Show  __________________ Watch live video of The Jason Parker Quartet.  Trumpets: Selmer Paris Concept [...]</p>
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		<title>By: paula</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-993</link>
		<dc:creator>paula</dc:creator>
		<pubDate>Mon, 19 Apr 2010 07:19:06 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-993</guid>
		<description>You echoed my sentiments to the letter about Chris B.&#039;s playing. Certainly a phenomenally gifted  trumpet player and he plays the smooth fusion (my opinion) jazz and then some good gnarly stuff with the greatest of finesse like no other I&#039;ve heard in that genre of music. I loved your comments about his band stars like Billy K...can&#039;t wait to hear !!! . Hope to see &amp; hear Chris &amp; band for the 1st time in June when he&#039;s scheduled to play with the San Francisco Symphony at Davies Hall. I wish I were playing my violin with SFS in that accompanying role.</description>
		<content:encoded><![CDATA[<p>You echoed my sentiments to the letter about Chris B.&#8217;s playing. Certainly a phenomenally gifted  trumpet player and he plays the smooth fusion (my opinion) jazz and then some good gnarly stuff with the greatest of finesse like no other I&#8217;ve heard in that genre of music. I loved your comments about his band stars like Billy K&#8230;can&#8217;t wait to hear !!! . Hope to see &amp; hear Chris &amp; band for the 1st time in June when he&#8217;s scheduled to play with the San Francisco Symphony at Davies Hall. I wish I were playing my violin with SFS in that accompanying role.</p>
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		<title>By: Jason</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-931</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:33:11 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-931</guid>
		<description>Good way of putting it. His tone really is amazing.</description>
		<content:encoded><![CDATA[<p>Good way of putting it. His tone really is amazing.</p>
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		<title>By: Steve Provizer</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-930</link>
		<dc:creator>Steve Provizer</dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:28:56 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-930</guid>
		<description>Happy to... It just occurs that Botti brings something into view: the beauty of the single note, something which has kind of been lost in the shuffle over the last 40 years.</description>
		<content:encoded><![CDATA[<p>Happy to&#8230; It just occurs that Botti brings something into view: the beauty of the single note, something which has kind of been lost in the shuffle over the last 40 years.</p>
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		<title>By: Jason</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-929</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:10:39 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-929</guid>
		<description>Absolutely! That&#039;s why I wrote the post. I just wanted to start a conversation with my experience at the show and see what people thought. I appreciate you taking the time to read and comment.</description>
		<content:encoded><![CDATA[<p>Absolutely! That&#8217;s why I wrote the post. I just wanted to start a conversation with my experience at the show and see what people thought. I appreciate you taking the time to read and comment.</p>
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		<title>By: Steve Provizer</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-928</link>
		<dc:creator>Steve Provizer</dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:07:46 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-928</guid>
		<description>No, not a bad thing...Since you brought up Miles-it may be worth noting the vast number of people who have bought &quot;Kind of Blue&quot; and the comparatively miniscule numbers checking out the local jazz talent in their cities. I don&#039;t say this to be churlish, but to say that the grey areas of this complicated conversation are worth exploring.</description>
		<content:encoded><![CDATA[<p>No, not a bad thing&#8230;Since you brought up Miles-it may be worth noting the vast number of people who have bought &#8220;Kind of Blue&#8221; and the comparatively miniscule numbers checking out the local jazz talent in their cities. I don&#8217;t say this to be churlish, but to say that the grey areas of this complicated conversation are worth exploring.</p>
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		<title>By: Jason</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-927</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Sun, 14 Mar 2010 18:00:49 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-927</guid>
		<description>OK. Thanks for clarifying. I guess on the &quot;bringing people into jazz&quot; thing, my thinking is this: Chris played &quot;My Funny Valentine&quot; at the show and the crowd loved it. Was it the best version of the song I have heard? No. But Chris did a GREAT job of introducing that song and making sure the audience knew that it was the Miles version that turned him on to jazz. I have to imagine that someone in that audience who wasn&#039;t familiar with Miles went home and googled the Miles version of the song. That person just might have loved it and now we have a new jazz fan. I just don&#039;t see how that&#039;s a bad thing.</description>
		<content:encoded><![CDATA[<p>OK. Thanks for clarifying. I guess on the &#8220;bringing people into jazz&#8221; thing, my thinking is this: Chris played &#8220;My Funny Valentine&#8221; at the show and the crowd loved it. Was it the best version of the song I have heard? No. But Chris did a GREAT job of introducing that song and making sure the audience knew that it was the Miles version that turned him on to jazz. I have to imagine that someone in that audience who wasn&#8217;t familiar with Miles went home and googled the Miles version of the song. That person just might have loved it and now we have a new jazz fan. I just don&#8217;t see how that&#8217;s a bad thing.</p>
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		<title>By: Steve Provizer</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-926</link>
		<dc:creator>Steve Provizer</dc:creator>
		<pubDate>Sun, 14 Mar 2010 17:52:26 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-926</guid>
		<description>I didn&#039;t mean to say his presentation is a bad thing. Jimmie Lunceford, for one, certainly understood the value of entertainment.  It&#039;s about the question of &quot;bringing people into jazz.&quot; As a rule, those presentations are simply not there. And, as a rule, the structures and solos are more complicated.</description>
		<content:encoded><![CDATA[<p>I didn&#8217;t mean to say his presentation is a bad thing. Jimmie Lunceford, for one, certainly understood the value of entertainment.  It&#8217;s about the question of &#8220;bringing people into jazz.&#8221; As a rule, those presentations are simply not there. And, as a rule, the structures and solos are more complicated.</p>
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		<title>By: Jason</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-924</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Sun, 14 Mar 2010 17:45:33 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-924</guid>
		<description>Thanks for chiming in, Steve. You&#039;re absolutely right that his music is &quot;less demanding&quot;. As for the &quot;trappings of his concerts-surroundings&quot;, I&#039;m not entirely sure what you mean. I might put it in this way: his shows have more entertainment value than most jazz shows. But is that a bad thing? I went to the show very skeptical and left feeling entertained, and thinking that I had seen a kick-ass band. What more can you ask for? Was it a cerebral, make-you-think kind of show. No. But again, is that a bad thing? Jazz doesn&#039;t always need to be about complicated structures and overwhelming technique. Sometimes it can be just plain pretty. 

And remember, Bird played with orchestras.</description>
		<content:encoded><![CDATA[<p>Thanks for chiming in, Steve. You&#8217;re absolutely right that his music is &#8220;less demanding&#8221;. As for the &#8220;trappings of his concerts-surroundings&#8221;, I&#8217;m not entirely sure what you mean. I might put it in this way: his shows have more entertainment value than most jazz shows. But is that a bad thing? I went to the show very skeptical and left feeling entertained, and thinking that I had seen a kick-ass band. What more can you ask for? Was it a cerebral, make-you-think kind of show. No. But again, is that a bad thing? Jazz doesn&#8217;t always need to be about complicated structures and overwhelming technique. Sometimes it can be just plain pretty. </p>
<p>And remember, Bird played with orchestras.</p>
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		<title>By: Steve Provizer</title>
		<link>http://oneworkingmusician.com/13-things-i-learned-at-the-chris-botti-show/comment-page-1#comment-923</link>
		<dc:creator>Steve Provizer</dc:creator>
		<pubDate>Sun, 14 Mar 2010 17:37:25 +0000</pubDate>
		<guid isPermaLink="false">http://oneworkingmusician.com/?p=2311#comment-923</guid>
		<description>Fair enough... My only cautionary note is the idea that people like Mr. Botti &quot;bring people to jazz.&quot; For a start-without making a value judgment-his music is simply less demanding than other kinds of jazz that a person new to jazz might hear. However, and perhaps more importantly, his presentation is so much different. The trappings of his concerts-surroundings, visuals, orchestras, multi-camera, even slo-mo camera coverage on TV are creating a set of entertainment expectations that nightclubs or festivals-never mind galleries or small venues-cannot fulfill.</description>
		<content:encoded><![CDATA[<p>Fair enough&#8230; My only cautionary note is the idea that people like Mr. Botti &#8220;bring people to jazz.&#8221; For a start-without making a value judgment-his music is simply less demanding than other kinds of jazz that a person new to jazz might hear. However, and perhaps more importantly, his presentation is so much different. The trappings of his concerts-surroundings, visuals, orchestras, multi-camera, even slo-mo camera coverage on TV are creating a set of entertainment expectations that nightclubs or festivals-never mind galleries or small venues-cannot fulfill.</p>
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